Recording of their performance on 10/16/21
Todd Marcus - bass clarinet & clarinet
Chris Ziemba - piano
Eliot Seppa - bass
Eric Kennedy - drums
Bass clarinetist/composer Todd Marcus is one of the few jazz artists worldwide to focus their work primarily on the bass clarinet. Marcus’ straight-ahead playing has carved out a unique voice for the instrument in modern jazz. His music swings hard with both a fiery and introspective intensity but also maintains a strong lyrical sensibility.
Self-taught in jazz theory and composition, Marcus’ compositions draw largely on straight-ahead jazz and classical influences but over recent years have also increasingly explored the Middle-Eastern sounds from his Egyptian-American heritage. He has worked with other jazz artists such as Gary Bartz, Bennie Maupin, Don Byron, Larry Willis, Odean Pope, Gary Thomas, Joel Frahm, Tim Warfield, Ralph Peterson, Warren Wolf, Sean Jones, Xavier Davis, George Colligan, and Orrin Evans.
Marcus’ performances include national and international touring. He was a featured artist in the 2017 Jazz Tales Festival in Egypt, 2015 Cairo Jazz Festival in Egypt, and in 2005 at the 1st World Bass Clarinet Convention in Rotterdam, Holland.
Marcus balances his music career by running Intersection of Change, a nonprofit addressing poverty related issues in his Baltimore neighborhood. The organization runs a community arts program for children & adults, a recovery program for women overcoming drug addiction, an urban farm, and has achieved significant community revitalization by renovating abandoned buildings and vacant lots.
Streaming cost is $10
Donations are welcomed.
“Mr. Marcus is probably the most inventive bass clarinetist working in straight-ahead jazz today…[and] lives in Baltimore, where he is a guiding light on the city’s jazz scene who doubles as an activist and organizer.”
– The New York Times
“Listeners won’t have any trouble recognizing Marcus’s compelling gifts for composing and arranging.”
– The Washington Post
“Marcus…is clearly what the jazz polls call a “rising star”…In Marcus’ hands, the bass clarinet is no longer a specialty instrument. Its unique timbral richness becomes incisive, fully capable of forceful expression.”
– Jazz Times